Fresh & Bright

Fresh & Bright

My brain’s a tube called Fresh & Bright
which squeezes out, in green and white,
a train of thought for your delight
and your enlightenment alike.

My mouth releases bite by bite
its philosophic fluoride
to stimulate your fancy’s flight:
Take one by day and one by night.

Christina Egan © 2015

Epithalamium (A Hundred Snowflakes)


A hundred snowflakes melting in your hair,
and every one a different ornament;
a hundred swallows weaving in the air,
each on its own encrypted message bent;
a thousand roses, beauty pure and bare,
each goblet filled with subtly varied scent;
a thousand leaves consumed in festive flare,
each spelling out its special testament…
So how much more are you – a human face –
unheard-of and unequalled in your blend?
I chose you from a thousand for your grace,
fulfilling and surpassing what I dreamt.
So by your side I take today my place,
while unnamed blessings blossom and descend.

Christina Egan © 2014

An epithalamium is a wedding song; a Continental sonnet
has 8 + 6 lines. Here, the first eight lines present images
from the four seasons; the last six lines state that humans are
more complex and individual than any natural phenomenon.

Some German poems on the uniqueness of each person can be
found at
Einer von Millionen and Hieroglyphe.

Buchenland / Heimaterde


Schon der Frühherbst
Schüttet Nebel aus
Über die Hügel hin

So verschwimmt mir der Pfad
Bevor noch die Buchen brennen
Und die stolzen Wiesen vergehn
Zu lustlosem Staub.

Doch unterm zerklüfteten Fels
Sitzt sommersatt das Moos
Blüht mondhell die Distel
Aufs Geheiß verborgener Geister.

Christina Egan © 2013


unter der haut
schimmert sie durch
die rote krume
der ich entwuchs

hinter den augen
blinzelt es vor
das urgestein
schwarz und gewaltig

unter dem haar
wirbeln sie hoch
nebel und wind
die mich umfingen

unter der zunge
schlummert sie noch
die fruchtbare sprache
die mich entfachte

Christina Egan © 2013

The first poem describes an autumnal landscape with trees in flaming colours and fog drifting in the dales. The name, Land of Beech Trees, stems from the times when most of Germany was covered by dense forests.

Nature appears as animate, sentient, and even spiritual: the meadow is proud and the moss content, while hidden spirits command a thistle to blossom bright as the moon.

The second poem reminds us that our bodies are made of the world around us — the air and water, the earth and its fruit, the flesh and bone of our ancestors while our minds are moulded by the language of our parents and ancestors.

The speaker imagines that red soil shines through his or her cheeks and black rock blinks through her pupils, while her hair is softened by thick fog and tousled by rough wind.

526px-Carlina_acaulis_160907These words were inspired by the landscape and climate of the Rhön Mountains in Germany.

Their symbol is a rare wildflower, the silver thistle.

Photograph: „Carlina acaulis 160907“
by Bernd Haynold via Wikimedia Commons



First Autumn Days / Erste Herbsttage

First Autumn Days
(September Haiku)


Fiery flower,
still sucking sunshine, still scaling
the wooden fence.


The sky turns deep pink
above the first rusty leaves
and burning berries.


The moon, low and large,
a knob of solid silver
on heaven’s sceptre.


Erste Herbsttage


Feurige Blume,
noch saugst du die Sonne ein,
kletterst den Zaun hoch.


Tiefrosa Himmel,
erste rostrote Blätter,
brennende Beeren.


Der Mond, niedrig, groß,
solide Silberkugel
am Himmelszepter.


Christina Egan © 2015


Haiku have 5 + 7 + 5 syllables.
The German haiku are translated
from the English ones.

Queen of the Night to King Moon

Queen of the Night to King Moon

I suck the moisture from the Martian sand
and spend myself in reckless rapid bloom.
I am the Queen of a vast sun-quenched land,
yet subject to the magic of the Moon.


Cactus seen from above, with two star-like flowers bigger than the body of the cactus

Sieh, vom Zauberstab des Mondes
angerührt mit sanfter Macht
sind zitronengelbe Sterne
wie Laternen still erwacht,
schütten Düfte in die Wüste,
todgeweiht nach einer Nacht –
desto größer, desto süßer
in verdichtet lichter Pracht.

Texts and photograph:
Christina Egan © 2014

You can find another photo of and poem about the Queen of the Night, Die Macht der Königin der Nacht, at the entry Green Blood.

The flowers indeed often come out with the full moon… and mostly last only one day… although they do last a second night.

Cacti must not stay outside overnight in a damp country: if their roots get too wet, they suffer and die. I only put them in the garden to make them and the insects happy… and the people!

ich liebe dich

ich liebe dich

ich liebe dich
ich suche dich
am apfelbaum
der geißblattbusch
umduftet mich
mit weiß und gold
ich liebe dich
ich finde dich
im fiebertraum
ein runder mond
verschwendet sich
ich liebe dich

Christina Egan © 2015

These lines were inspired by my favourite poem ever,
the magical
Ich liebe dich by Adelheid Bienmüller, which
once struck me
 on a calendar. Unfortunately, I have not yet
found this poet and her poem on the world wide web!

Einer von Millionen

Einer von Millionen

In einem leeren Spiegel
erschaff’ ich deine Hand,
ich zeichne deine Züge
auf eine weiße Wand,

ich will dein Lächeln siegeln
in einen Linienflug,
als seist du schon genügend,
als seist nur du genug!

Du bist, was ich ersehne,
du bist, was mich erfreut;
doch stehst du für Millionen,
von denen niemand zeugt.

Christina Egan © 2014

Here, a painter — or indeed poet recreates the face of a beloved person in an empty mirror and on a white wall. This corresponds to the German poem Spiegelherz (Mirror Heart), where the speaker wants to ‘swap mirrors’ with someone else.

The end of this  poem has a twist: the one person who means everything to us is actually just like everyone else — we are all unique, extraordinary, beautiful!

Another poem on the uniqueness of each human being at each moment in time is the previous post, Hieroglyphe.